Monday, May 26, 2008

Bringing Home the Prodigals by Rob Parsons

Grab the HTML for the entire post (will look like the post below):





It is time to play a Wild Card! Every now and then, a book that I have chosen to read is going to pop up as a FIRST Wild Card Tour. Get dealt into the game! (Just click the button!) Wild Card Tours feature an author and his/her book's FIRST chapter!

You never know when I might play a wild card on you!




Today's Wild Card author is:




and his book:


Bringing Home the Prodigals


Authentic (April 1, 2008)




ABOUT THE AUTHOR:




Rob Parsons, a lawyer by profession, has subsequently become a wellknown author and speaker on family issues. Drawing from his own experiences of family life, and often joined by his wife Dianne, he has addressed over 500,000 people in facetoface events. In 1988, Rob launched Care for the Family, a registered charity motivated by Christian compassion. The resources and support offered are available to everyone, of any faith or none.


Visit him at his website.

AND NOW...THE FIRST CHAPTER:


Chapter One


Always Leave a Light On

Sometimes God ambushes us: it happened to me on March 14, 1998. I had been invited to speak at the National Exhibition Center in the UK to thousands of people who had gathered to pray for the return of their prodigals. I had prepared a message based on the timeless parable of the lost son, and it was folded securely in the inside pocket of my jacket. I believed I was ready to deliver God’s word.

I have been at many Christian events over the years, but I have never experienced the wave of emotion that filled the auditorium that day. The organizers had seated my wife, Dianne, and me on the platform, and as I gazed out at that vast audience, I couldn’t help but wonder what stories lay behind the prayers.

Somewhere, no doubt, was a woman whose husband had once led a church and been a faithful husband and father until the night he told her the four things that so many Christian men tell their wives when they leave them for another woman: “We were so young when we got married we hardly knew what we were doing— I doubt we ever really loved each other”; “In the long run this will be better for you”; “One day you’ll realize this is best for the kids,” and “I’ve prayed about this, and it’s OK with God.”

And somewhere there was a father who had told his tiny daughter Bible stories. She had picked one each night from the huge children’s Bible they kept on the shelf in her bedroom. They had said prayers together, and he had always been touched that, from her youngest days, she had prayed for others more than herself. But as he prayed in the auditorium that day, he thought of her later teenage years and the gradual disinterest in anything to do with God. A great sobbing convulsed his body as he remembered the night he found the drugs in her bedroom and, finally, the day she left, cursing both him and God.

These people had gathered, every one of them with a prodigal on their hearts: friends, brothers, husbands, wives, and sometimes in a strange reversal of the parable, mothers and fathers—but mostly children.

But that great arena did not hold only people praying. In the very front was a huge wooden cross. Its shadow seemed to reach over the whole crowd. During the day, people were invited to write the name of their prodigal on a small card, bring it to the front, and lay it at the foot of the cross. I watched them as they came: young people bringing the names of school friends, married couples holding hands as they laid down the names of children, friends walking together clutching cards, and often the elderly, shuffling forward and bending slowly as they lay the names of those they loved at the cross.

After an hour or so one of the organizers asked me if I would leave the platform and stand by the cross to pray with some of those who were coming forward. Of course I agreed and made my way to the floor of the arena and to the cross. That’s when God ambushed me. What occurred in the next two minutes changed my life forever and was the impetus that was to take the message of “Bringing Home the Prodigals” around the world.

When I reached the cross there were tens of thousands of names there. They were written on cards that were spilling off the little table at the foot of the cross and onto the floor. I picked up and read some of them: “Jack” “Milly” “Bring Charles home, Lord.” It seemed to me that the pain of the world lay at the foot of that cross. I thank God for what he has done in the lives of our two children, but at that time Dianne and I had heavy hearts for them, and I remember laying Katie’s name at the foot of the cross and Lloyd’s name next to hers. And then I started to cry. I could not stop.

As I wept, God laid a message about prodigals on my heart that I first preached later that day. It was not the neat, nicely wrapped-up one with all the answers—that was in my pocket. It was a message forged from brokenness and a sense of utter dependence on God. As I finished speaking that day, I remember thinking that one day I would put it into a book.

But life for all of us is busy and the book was never started. And then one day, as part of some routine tests, the doctors found a possible abnormality with one of my kidneys. They feared it was a tumor. I had about ten days to wait for the results of the tests that would determine what the problem was.

On one of those days I found myself ambling along a London street. It was a wonderful spring morning; on such days, London is at its best. The air was crisp, the sky blue, and behind me the sun shone off Westminster Abbey and St. Margaret’s Chapel as I made my way past Churchill’s War Rooms and into St. James’ Park.

The park was almost deserted, and the pigeons, squirrels, and I looked at each other as if there was little else of interest. Never does life become as precious as when you think it may be suddenly shortened. I began to think about things that really mattered to me. The message of the prodigals came to my mind, and I knew I had to get that book written. I started it that week. A few days later the test results came and were favorable: I did not have a tumor—just an over-sized kidney that I’d probably had all my life. A few months later the book was written. But that was only the beginning.

One day the people who had invited me to preach at their day of prayer in the National Exhibition Center in Birmingham in the UK called to ask me to meet with them. They said God had told them to pass on to me the mantle of the burden for prodigals that they had carried for so many years. We began to visit the denominational leaders to see if the message resonated with them. Without exception—whether it was the Salvation Army, the Baptists, Catholics, Methodists, or even the Archbishop of Canterbury himself—the response was the same: “This is a God-given word for today. We support you in it.”

Over the following few years in auditoriums all across the United Kingdom, more than fifty thousand people have experienced a Bringing Home the Prodigals event. Even now in my mind’s eye, I can picture them listening to the message and bringing the names of their prodigals to the foot of the cross. We began to hear the most remarkable stories of prodigals coming back to God.

Since then we have been taking Bringing Home the Prodigals all over the world. I have watched people stream forward to lay the names of their prodigals at the cross in Costa Rica, Uganda, South Africa, Malaysia, Singapore, Borneo, Australia, New Zealand, Ireland, and North America. This little book contains the heart of the message of Bringing Home the Prodigals I believe God has laid on my heart. I warn you now; it is a simple message. Most of us feel we know the parable so well that there is hardly anything new we could learn. Maybe this is true, but God wants to remind us of what we knew in our hearts all along—and somehow forgot.

I wrote part of the book in a small conference center on the Gower coast near Swansea, Wales. It is not far from where Dylan Thomas wrote “Under Milk Wood.” The building is set on a hill, and the view from my window was unspeakably beautiful, running across fields, then woods, and finally ending at the sea in the great sweep of the bay. One morning I took a break from writing and stood outside the house gazing into the distance at the breakers hitting the beach. After a few minutes I was joined by a priest. He had on the traditional long black cassock, had a flowing grey beard, and wore what my kids used to call “Jesus sandals.” He had been leading a discussion in one of the seminar rooms and said he had “just come out to get a little air whilst they ponder a couple of theological teasers I’ve set them.”

We began chatting and he asked me what I was doing. When I told him I was writing a book about prodigals, he told me a most moving story. Let me try to capture his words as I remember them:

In a village near here, is a large old house. An elderly lady lives there alone and every night, as darkness falls, she puts a light on in the attic. Her son left home twenty-five years ago, rather like the prodigal in the parable, but she has never given up the hope that one day he will come home. We all know the house well, and although the bulb must occasionally need replacing, none of us have ever seen that house without a light on. It is for her son.

The theme of “leaving a light on” has become a recurring one in the letters and emails I have received from all over the world from those who wait for a prodigal’s return. Shortly after one of the Bringing Home the Prodigals events, a woman wrote to me. She told me that her daughter had walked out of their home when she was eighteen years old. She had turned her back not only on her mother and father, but on the God she had once loved. “My daughter didn’t get in touch, and we didn’t know whether she was alive or dead,” the woman wrote. She went on to tell me that every night, as she and her husband turned off the lights before they went to bed, she would always say to him, “Leave the porch light on.” And every Christmas, she would put a little Christmas tree in the front of the house, its lights shining, just as she used to when her daughter was at home.

After six years, her daughter suddenly came home—and not just to her mother and father, but to God. When she did, she told her mother a remarkable story: “Mom, I so often wanted to come home, but I was too ashamed. Sometimes, in the early hours of the morning, I would drive my car onto your street and just sit there. I used to gaze at the houses and every one of them was dark apart from our house: you always left a light on. And at Christmas I would do the same: just sit there in the darkness and look at the Christmas tree you had put outside—I knew it was for me.”

I have never been able to get that mother out of my mind. She seems to me to symbolize the hopes, fears, and prayers of millions across the world whose hearts are breaking for their prodigals. But this is not just a message for them; in fact Bringing Home the Prodigals is not just about praying for our prodigals to come home. It is about asking us to consider the characters of our local churches. Is it possible that by our attitudes, our concern with rules and regulations that are not on God’s heart, or by our ingrained spirit of the elder brother (or sister!) we have made it easy for some to leave? Perhaps we have kept them out of mind while they are gone and tragically made it harder for them to return. Could it be that inadvertently we have “created” prodigals?

This is a theme that should catch the imagination of all who care about evangelism. The truth is, most of us know ten people who may have never been to church whom we’d like to invite to an evangelistic service—but we all know a hundred prodigals. The numbers are enormous. When the prodigals come home we are going to have to pull down our old church buildings and use aircraft hangers. If you care about church growth, then care about this message. There is nothing as frustrating as seeing people come to Christ through the front door of the church and losing others in almost the same proportion out the door in the back.

All over the world I have cried with parents for their prodigals. There is no more fervent prayer in homes today than, “Father, bring our prodigal home.” I have concentrated in this book on those who have children, of whatever age, who are prodigals, but of course there are many kinds of prodigals—brothers, sisters, husbands, wives, and friends. I hope with all my heart that for whomever you are concerned, you will find something here to encourage you and keep the flames of hope alight.

This book is not written principally to give advice, although I will share with you the lessons I have learned from many whose hearts have cried out to God for those they love. My hope is that it will be a book that will release us from false guilt, bring us hope, and above all, lead us to prayer. At the end of every chapter is a prayer and reflection; each one is written by someone who has cried for a prodigal and who has come to believe that, ultimately, God is our only hope. At the very end of the book we will each bring our prodigals to the cross of Christ.

And we should not pray just for our prodigals, but for ourselves as well. We can pray that we will catch the Father’s heart for the prodigals—the outrageous grace of the One who, even as we stumble down the long road home, runs to throw a robe on our back, put a ring on our finger, and put shoes on our feet. And if we do change, if we can catch something of that father-heart of God, then it may be that, in his great mercy, he will touch the lives of thousands of our prodigals—and bring them home.




Requested tour date: May 26
Book Title: Bringing Home the Prodigals
Author: Rob Parsons
Author website: www.careforthefamily.org.uk
# of review copies available: 100
Copies available to ship: Now
Respond by: April 30

Audra Jennings – The B&B Media Group
Authentic (April 1, 2008)
ISBN-10: 1934068691

Bringing Home the Prodigals by Rob Parsons

Tour Date: May 26





It is time to play a Wild Card! Every now and then, a book that I have chosen to read is going to pop up as a FIRST Wild Card Tour. Get dealt into the game! (Just click the button!) Wild Card Tours feature an author and his/her book's FIRST chapter!



You never know when I might play a wild card on you!









Today's Wild Card author is:









and his book:



Bringing Home the Prodigals



Authentic (April 1, 2008)







ABOUT THE AUTHOR:








Rob Parsons, a lawyer by profession, has subsequently become a wellknown author and speaker on family issues. Drawing from his own experiences of family life, and often joined by his wife Dianne, he has addressed over 500,000 people in facetoface events. In 1988, Rob launched Care for the Family, a registered charity motivated by Christian compassion. The resources and support offered are available to everyone, of any faith or none.





Visit him at his website.



AND NOW...THE FIRST CHAPTER:





Chapter One





Always Leave a Light On



Sometimes God ambushes us: it happened to me on March 14, 1998. I had been invited to speak at the National Exhibition Center in the UK to thousands of people who had gathered to pray for the return of their prodigals. I had prepared a message based on the timeless parable of the lost son, and it was folded securely in the inside pocket of my jacket. I believed I was ready to deliver God’s word.



I have been at many Christian events over the years, but I have never experienced the wave of emotion that filled the auditorium that day. The organizers had seated my wife, Dianne, and me on the platform, and as I gazed out at that vast audience, I couldn’t help but wonder what stories lay behind the prayers.



Somewhere, no doubt, was a woman whose husband had once led a church and been a faithful husband and father until the night he told her the four things that so many Christian men tell their wives when they leave them for another woman: “We were so young when we got married we hardly knew what we were doing— I doubt we ever really loved each other”; “In the long run this will be better for you”; “One day you’ll realize this is best for the kids,” and “I’ve prayed about this, and it’s OK with God.”



And somewhere there was a father who had told his tiny daughter Bible stories. She had picked one each night from the huge children’s Bible they kept on the shelf in her bedroom. They had said prayers together, and he had always been touched that, from her youngest days, she had prayed for others more than herself. But as he prayed in the auditorium that day, he thought of her later teenage years and the gradual disinterest in anything to do with God. A great sobbing convulsed his body as he remembered the night he found the drugs in her bedroom and, finally, the day she left, cursing both him and God.



These people had gathered, every one of them with a prodigal on their hearts: friends, brothers, husbands, wives, and sometimes in a strange reversal of the parable, mothers and fathers—but mostly children.



But that great arena did not hold only people praying. In the very front was a huge wooden cross. Its shadow seemed to reach over the whole crowd. During the day, people were invited to write the name of their prodigal on a small card, bring it to the front, and lay it at the foot of the cross. I watched them as they came: young people bringing the names of school friends, married couples holding hands as they laid down the names of children, friends walking together clutching cards, and often the elderly, shuffling forward and bending slowly as they lay the names of those they loved at the cross.



After an hour or so one of the organizers asked me if I would leave the platform and stand by the cross to pray with some of those who were coming forward. Of course I agreed and made my way to the floor of the arena and to the cross. That’s when God ambushed me. What occurred in the next two minutes changed my life forever and was the impetus that was to take the message of “Bringing Home the Prodigals” around the world.



When I reached the cross there were tens of thousands of names there. They were written on cards that were spilling off the little table at the foot of the cross and onto the floor. I picked up and read some of them: “Jack” “Milly” “Bring Charles home, Lord.” It seemed to me that the pain of the world lay at the foot of that cross. I thank God for what he has done in the lives of our two children, but at that time Dianne and I had heavy hearts for them, and I remember laying Katie’s name at the foot of the cross and Lloyd’s name next to hers. And then I started to cry. I could not stop.



As I wept, God laid a message about prodigals on my heart that I first preached later that day. It was not the neat, nicely wrapped-up one with all the answers—that was in my pocket. It was a message forged from brokenness and a sense of utter dependence on God. As I finished speaking that day, I remember thinking that one day I would put it into a book.



But life for all of us is busy and the book was never started. And then one day, as part of some routine tests, the doctors found a possible abnormality with one of my kidneys. They feared it was a tumor. I had about ten days to wait for the results of the tests that would determine what the problem was.



On one of those days I found myself ambling along a London street. It was a wonderful spring morning; on such days, London is at its best. The air was crisp, the sky blue, and behind me the sun shone off Westminster Abbey and St. Margaret’s Chapel as I made my way past Churchill’s War Rooms and into St. James’ Park.



The park was almost deserted, and the pigeons, squirrels, and I looked at each other as if there was little else of interest. Never does life become as precious as when you think it may be suddenly shortened. I began to think about things that really mattered to me. The message of the prodigals came to my mind, and I knew I had to get that book written. I started it that week. A few days later the test results came and were favorable: I did not have a tumor—just an over-sized kidney that I’d probably had all my life. A few months later the book was written. But that was only the beginning.



One day the people who had invited me to preach at their day of prayer in the National Exhibition Center in Birmingham in the UK called to ask me to meet with them. They said God had told them to pass on to me the mantle of the burden for prodigals that they had carried for so many years. We began to visit the denominational leaders to see if the message resonated with them. Without exception—whether it was the Salvation Army, the Baptists, Catholics, Methodists, or even the Archbishop of Canterbury himself—the response was the same: “This is a God-given word for today. We support you in it.”



Over the following few years in auditoriums all across the United Kingdom, more than fifty thousand people have experienced a Bringing Home the Prodigals event. Even now in my mind’s eye, I can picture them listening to the message and bringing the names of their prodigals to the foot of the cross. We began to hear the most remarkable stories of prodigals coming back to God.



Since then we have been taking Bringing Home the Prodigals all over the world. I have watched people stream forward to lay the names of their prodigals at the cross in Costa Rica, Uganda, South Africa, Malaysia, Singapore, Borneo, Australia, New Zealand, Ireland, and North America. This little book contains the heart of the message of Bringing Home the Prodigals I believe God has laid on my heart. I warn you now; it is a simple message. Most of us feel we know the parable so well that there is hardly anything new we could learn. Maybe this is true, but God wants to remind us of what we knew in our hearts all along—and somehow forgot.



I wrote part of the book in a small conference center on the Gower coast near Swansea, Wales. It is not far from where Dylan Thomas wrote “Under Milk Wood.” The building is set on a hill, and the view from my window was unspeakably beautiful, running across fields, then woods, and finally ending at the sea in the great sweep of the bay. One morning I took a break from writing and stood outside the house gazing into the distance at the breakers hitting the beach. After a few minutes I was joined by a priest. He had on the traditional long black cassock, had a flowing grey beard, and wore what my kids used to call “Jesus sandals.” He had been leading a discussion in one of the seminar rooms and said he had “just come out to get a little air whilst they ponder a couple of theological teasers I’ve set them.”



We began chatting and he asked me what I was doing. When I told him I was writing a book about prodigals, he told me a most moving story. Let me try to capture his words as I remember them:



In a village near here, is a large old house. An elderly lady lives there alone and every night, as darkness falls, she puts a light on in the attic. Her son left home twenty-five years ago, rather like the prodigal in the parable, but she has never given up the hope that one day he will come home. We all know the house well, and although the bulb must occasionally need replacing, none of us have ever seen that house without a light on. It is for her son.



The theme of “leaving a light on” has become a recurring one in the letters and emails I have received from all over the world from those who wait for a prodigal’s return. Shortly after one of the Bringing Home the Prodigals events, a woman wrote to me. She told me that her daughter had walked out of their home when she was eighteen years old. She had turned her back not only on her mother and father, but on the God she had once loved. “My daughter didn’t get in touch, and we didn’t know whether she was alive or dead,” the woman wrote. She went on to tell me that every night, as she and her husband turned off the lights before they went to bed, she would always say to him, “Leave the porch light on.” And every Christmas, she would put a little Christmas tree in the front of the house, its lights shining, just as she used to when her daughter was at home.



After six years, her daughter suddenly came home—and not just to her mother and father, but to God. When she did, she told her mother a remarkable story: “Mom, I so often wanted to come home, but I was too ashamed. Sometimes, in the early hours of the morning, I would drive my car onto your street and just sit there. I used to gaze at the houses and every one of them was dark apart from our house: you always left a light on. And at Christmas I would do the same: just sit there in the darkness and look at the Christmas tree you had put outside—I knew it was for me.”



I have never been able to get that mother out of my mind. She seems to me to symbolize the hopes, fears, and prayers of millions across the world whose hearts are breaking for their prodigals. But this is not just a message for them; in fact Bringing Home the Prodigals is not just about praying for our prodigals to come home. It is about asking us to consider the characters of our local churches. Is it possible that by our attitudes, our concern with rules and regulations that are not on God’s heart, or by our ingrained spirit of the elder brother (or sister!) we have made it easy for some to leave? Perhaps we have kept them out of mind while they are gone and tragically made it harder for them to return. Could it be that inadvertently we have “created” prodigals?



This is a theme that should catch the imagination of all who care about evangelism. The truth is, most of us know ten people who may have never been to church whom we’d like to invite to an evangelistic service—but we all know a hundred prodigals. The numbers are enormous. When the prodigals come home we are going to have to pull down our old church buildings and use aircraft hangers. If you care about church growth, then care about this message. There is nothing as frustrating as seeing people come to Christ through the front door of the church and losing others in almost the same proportion out the door in the back.



All over the world I have cried with parents for their prodigals. There is no more fervent prayer in homes today than, “Father, bring our prodigal home.” I have concentrated in this book on those who have children, of whatever age, who are prodigals, but of course there are many kinds of prodigals—brothers, sisters, husbands, wives, and friends. I hope with all my heart that for whomever you are concerned, you will find something here to encourage you and keep the flames of hope alight.



This book is not written principally to give advice, although I will share with you the lessons I have learned from many whose hearts have cried out to God for those they love. My hope is that it will be a book that will release us from false guilt, bring us hope, and above all, lead us to prayer. At the end of every chapter is a prayer and reflection; each one is written by someone who has cried for a prodigal and who has come to believe that, ultimately, God is our only hope. At the very end of the book we will each bring our prodigals to the cross of Christ.



And we should not pray just for our prodigals, but for ourselves as well. We can pray that we will catch the Father’s heart for the prodigals—the outrageous grace of the One who, even as we stumble down the long road home, runs to throw a robe on our back, put a ring on our finger, and put shoes on our feet. And if we do change, if we can catch something of that father-heart of God, then it may be that, in his great mercy, he will touch the lives of thousands of our prodigals—and bring them home.

Monday, May 12, 2008

Finding Hollywood Nobody by Lisa Samson

Tour Date: May 12, 2008

When the tour date arrives, copy and paste the HTML Provided in the box. Don't forget to add your honest review if you wish!


Grab the HTML for the entire post (will look like the post below):



*******************************************************



It is time to play a Wild Card! Every now and then, a book that I have chosen to read is going to pop up as a FIRST Wild Card Tour. Get dealt into the game! (Just click the button!) Wild Card Tours feature an author and his/her book's FIRST chapter!

You never know when I might play a wild card on you!







Today's Wild Card author is:


and her book:


Finding Hollywood Nobody


Navpress Publishing Group (February 15, 2008)


ABOUT THE AUTHOR:

Lisa Samson is the author of twenty books, including the Christy Award-winning Songbird. Apples of Gold was her first novel for teens

These days, she's working on Quaker Summer, volunteering at Kentucky Refugee Ministries, raising children and trying to be supportive of a husband in seminary. (Trying . . . some days she's downright awful. It's a good thing he's such a fabulous cook!) She can tell you one thing, it's never dull around there.

Other Novels by Lisa:

Hollywood Nobody, Straight Up, Club Sandwich, Songbird, Tiger Lillie, The Church Ladies, Women's Intuition: A Novel, Songbird, The Living End

Visit her at her website.

AND NOW...THE FIRST CHAPTER:


Chapter One

Hollywood Nobody: Sunday, June 4

Well, Nobodies, it's a wrap! Jeremy's latest film, yet another remake of The Great Gatsby, now titled Green Light, has shipped out from location and will be going into postproduction. Look for it next spring in theaters. It may just be his most widely distributed film yet with Annette Bening on board. Toledo Island will never be the same after that wacky bunch filled in their shores.

Today's Hottie Watch: Seth Haas has moved to Hollywood. An obscure film he did in college, Catching Regina's Heels (a five-star film in my opinion), was mentioned on the Today show last week. He was interviewed on NPR's Fresh Air. Hmm. Could it be he'll receive the widespread acclaim he deserves before the release of Green Light? For his sake and the film's, I hope so.

Rehab Alert: I've never hidden the fact that I don't care for bratty actress Karissa Bonano, but she just checked into rehab for a cocaine addiction. Her maternal grandfather, Doug Fairmore, famous in the forties for swashbuckling and digging up clues, made a public statement declaring the Royal Family of Hollywood was "indeed throwing all of our love, support, and prayers behind Karissa." The man must be a thousand years old by now. This isn't Ms. Bonano's first stint in rehab, but let's hope it's her last. Even I'm not too catty to wish her well in this battle. But I'm as skeptical as the next person. In Hollywood, rehab is mostly just a fad.

Today's Quote: "It's a scientific fact. For every year a person lives in Hollywood, they lose two points of their IQ." Truman Capote

Today's Rant: SWAG, or Party Favors. Folks, do you ever wonder what's inside those SWAG bags the stars get? Items which, if sold, could feed a third-world country for a week! And have you noticed how the people who can afford to buy this stuff seem to get it for free? I'm just sayin'. So here's my idea, stars: Refuse to take these high-priced bags o' stuff and gently suggest the advertisers give to a charitable organization on behalf of the movie, the stars, the whoever. Like you need another cell phone.

Today's Kudo: Violette Dillinger will be appearing on the MTV Video Music Awards in August. She told Hollywood Nobody she's going to prove to this crowd you can be young, elegant, decent, and still rock out. Go Violette!

Summer calls. Later!

Monday, September 15, 4:00 a.m.

Maybe I'm looking for the wrong thing in a parent.

I turn over in bed at the insistence of Charley's forefinger poking me in the shoulder. "Please tell me you've MapQuested this jaunt, Charley."

She shakes her tousled head, silhouetted by the yellow light emanating from the RV's bathroom. "You're kidding me right?" She slides off the dinette seat. Charley's been overflowing with relief since she told me the truth about our life: that she's not really my mother, but my grandmother, that somebody's chasing us for way too good of a reason, that my life isn't as boring as I thought. We're still being chased, but Charley can at least breathe more freely in her home on the road now that I know the truth.

Home in this case happens to be a brand-spanking-new Trailmaster RV, a huge step forward from the ancient Travco we used to have, the ancient Travco with a rainbow Charley spread in bright colors over its nose.

"Where to?" Having set my vintage cat glasses, love 'em, on my nose, I scramble my hair into its signature ponytail: messy, curly, and frightening. I can so picture myself in the Thriller video.

"Marshall, Texas."

"East Texas?"

"I guess."

"It is." I shake my head. Charley. I love her, I really do, but when it comes to geography, despite the fact that we've traveled all over the country going to her gigs ever since I can remember, she's about as intelligent as a bottle of mustard. And boy do I know a lot about bottles of mustard. But that was my last adventure.

"If you knew, then why did you ask?" She flips the left side of her long, blonde hair, straighter than Russell Crowe, over her shoulder. Charley's beautiful. Silvery blonde (she uses a cheap rinse to cover up the gray), thin (she's vegan), and a little airy (she's frightened of a lot and tries not to think about anything else that may scare her), she wears all sorts of embroidered vests and large skirts and painted blue jeans. And they're all the real deal, because Charley's an environmentalist and wouldn't dream of buying something she didn't need when what she's got is wearing perfectly well. She calls my penchant for vintage clothing "recycling," and I don't disagree.

"Is this really a gig, Charley, or are we escaping again?"

She shakes her head. "No phone call. I really do have a job."

I feel the thrill of fear inside me, though there's no need right now. Biker Guy almost got me back on Toledo Island. (Yeah, he looks like a grizzled old biker.) To call the guy rough around the edges would be like saying Pam Anderson has had "a little work done."

I've been looking over my shoulder ever since.

But more on that later. We need to get on the road. And I need to get on with my life. I'm so sick of thinking about how things aren't nearly what I'd like them to be.

I mean, do you ever get tired of hearing yourself complain?

I flip up my laptop, log on to the satellite Internet I installed (yes, I am that geeky) and Google directions to Marshall, Texas, from where we are in Theta, Tennessee—actually, on the farm of one of Charley's old art-school friends who gave her some work in advertising for the summer. Charley's a food stylist, which means she makes food look good for the camera. Still cameras, motion picture cameras, video, it doesn't matter. Charley can do it all.

"Oh, we've got plenty of time, Charley. Five hundred and fifty miles and . . . we have to go through Memphis . . ."

My verbal drop-off is a dead giveaway.

"Oh, no, Scotty, we're not going to Graceland again."

The kitsch that is Graceland speaks to me. What can I say?

And you've got to admit, it's starting to look vintage. Now ten years ago . . .

I cross my arms. "Do you have cooking to do on the way?"

Yes, highly illegal to cook in a rolling camper.

"Yeah, I do."

"And do you expect me, an unlicensed sixteen-year-old, to drive?" Again, highly illegal, but Charley's a free spirit. However, she refuses to copy CDs and DVDs, so in that regard, she's more moral than most people. I guess it evens up in the end.

"Uh-huh."

"Then I think I deserve a trip through the Jungle Room."

She rolls her eyes, reaches down to the floor, and throws me my robe. "Oh, all right. Just don't take too long."

"I'll try. So." I look at the screen. "65 to route 40 west. Let's hit it. And we'll have time to stop for breakfast."

Charley shakes her head and plops down on the tan dinette bench. The interior of this whole RV is a nice sandy tan with botanical accents. Tasteful and so much better than the old Travco that looked like a cross between a genie's bottle and the Unabomber cabin. "You're going to eat cheese. Aren't you?"

"I sure am."

And Charley can't say anything, because months ago she told me this was a decision I could make on my own.

Freedom!

"I've rethought the cheese moratorium, baby. I know you're not going to like this, but three months of cheese is enough. I can't imagine what your arteries look like. I think it's time to stop."

"What?" Cheese is my life. "Charley! You can't do this to me."

"It's for your own good."

"Are you serious?"

"Yeah, I am."

"Why?"

"Because summer's over, baby, and we've got to get back to a better way of life."

I could continue to argue, but it won't do any good. Charley acts all hippie and egalitarian, but when push comes to shove, she's the boss. However, I'm great at hiding my cheese . . . and . . . I'm going to convince her eventually.

But still.

"This isn't right, Charley, and you know it. But it's too early to argue. And might I add, you have no idea what it's like to have a teen with real teen issues. You ought to be on your knees thanking God I'm not drinking, smoking, pregnant, or"—I was going to say sneaking out at night, but I've done that, just to get some space—"or writing suicidal poetry on the Internet!"

We stare at each other, then burst into laughter.

"Just humor me this time, baby," she says. "We'll come back to it soon, I promise."

I don't believe her, but I hop into the driver's seat, pull up the brake, throw the TrailMama into drive, and we are off.

Six hours later

I pull through Graceland's gatehouse at ten a.m., park near the back of the compound's cracked, tired parking lot, and change into some crazy seventies striped bell-bottoms, a poet shirt, and Charley's old crocheted, granny-square vest. Normally I go further back in my vintage-wear, but I'm trying to go with the groove that is Graceland.

I kiss Charley's cheek. "I'll be back by noon."

"When will that put us in Marshall?"

"By six thirty."

"Because I'm not sure where the shoot is."

"Please. Marshall's small. Jeremy and company will make a big splash no matter where they set up. Besides, growing up around this, I have a nose for it."

She awards me one of her big smiles. "You're somethin', baby. I forget that sometimes." She puts her arms around me, squeezes, pulls back, then smacks me lightly on my behind. "Tell Elvis I said hello."

"Oh, I will. He's one of the groundskeepers now, you know."

I've seen computer-generated pictures of what he would look like now, in his seventies. Scary.

I jump down from the RV, head across the parking lot, over the small bridge leading into the ticketing complex and walk by Elvis's jets, including the Lisa Marie. Gotta love anything with that name. Don't know why. Just has a nice ring to it.

Banners proclaim, "Elvis Is."

Is what? Dead? A legend? What? Because he isn't "izzing" as far as I'm concerned. Present tense, people! If the person's not alive, "is" can only be followed by a few options: Buried up in the memorial garden. Rotting in his casket. Missed by his family and friends. Not exactly banner copy, mind you.

Still, you've got to admit the name Elvis wreaks of cool. Perhaps the sign should read, "Elvis Is . . . A Really Cool Name."

But it's not nearly as cool as my name. You see, my real mother loved the writer F. Scott Fitzgerald. And that's my name: Francis Scott Fitzgerald Dawn. Only Dawn's not my actual last name. I don't know what my real last name is. My real first name is Ariana. Being on the run, Charley renamed us to protect our identity. So she honored my mother by naming me after Mom's favorite novelist. More on that later too.

It sounds fun, traveling on the road from film shoot to film shoot, never settling down in one place for too long, but honestly, it's very sad.

I always knew Charley lived with a sadness down deep, and when I found out why this spring, her sadness became mine. See, my dad is dead and my mother, Charley's daughter Babette, is too. Or we think she must be, because she disappeared under questionable circumstances and never came back. Learn that when you're fifteen and see where you land.

When I thought Charley was my mother, I had such high hopes for who my father might be. Al Pacino was number one in the ranking. Don't ask.

Okay, Elvis, here we go. Let's you and me be "taking care of business."

I hand over my money to the lady behind the reservations counter. I called thirty minutes ago on my cell phone, compliments of my mother's friend Jeremy, and reserved a spot.

"You'll be on the first tour."

Yes! More time amid the shag carpeting and the gold records. And the jumpsuits. Can't forget the jumpsuits. I want a cape too.

The gift shop calls to me. Confession: I love gift shops. They even smell sparkly. Key chains dangling, saying, "You can take me with you wherever you go!" Mugs with the Saint Louis Gateway Arch or the Grand Ole Opry promising an even better cup of coffee. Earrings that advertise you've been somewhere. That's exactly what I choose while I wait for the tour, a little pair of dangly red guitars with the words Elvis Presley in gold script on the bodies, and how in the world they put that on so small is beyond me. See, gift shops can even be miraculous if you take your time and look.

A voice over the loudspeaker announces my tour number, so I stand in line. By myself. Just me in a group of twenty or so.

Okay, here is where it gets hard to be me. I know I should be thankful for my free-spirited life. But especially now that I know my parents are dead, it feels empty all of a sudden. I shouldn't be standing in line at Graceland alone. My mother and I should be giggling behind our hands at the man nearby who's actually grown a glorious pair o' mutton-chop sideburns, slicked back his salt-and-pepper curls, and shrugged his broad shoulders into a leather jacket. Really, right? My father, who was an FBI agent the mob shot right in a warehouse in Baltimore, would shake his head like a dad in a sixties TV show and laugh at his girls.

We'd get on the bus like I'm doing now, each of us putting on our tour headphones and hanging the little blue recorders around our necks in anticipation of the glory that is Elvis.

The driver welcomes us as he shuts the hydraulic doors of the little tour bus with its clean blue upholstery, a bus in which an assisted-living home might haul its residents to the mall.

It smells new in here, and my gross-out antennae aren't vibrating in the least like they do when I go into an old burger joint and the orange melamine booth hasn't been scrubbed since the place opened in 1987.

In my fantasy, my dad would sit beside me. And Mom, just across the aisle, holding onto the seatback in front of her, would look at me as we pass through those famed musical gates, because she would have introduced me to Elvis music. According to Charley, my vintage sentimentalism comes from my mom. I've learned a little about her this summer.

Charley said, "She'd wear my cousin's old poodle skirt and listen to Love Me Tender over and over again while writing in her diary." She became a respected journalist, loved books as much as I do. I pat my book in my backpack, looking forward to tonight when I can cuddle into my loft and get into one of Fitzgerald's glittering worlds. "She was different from me, Scotty. I tried to change the world through protest. Your mother wanted to build something completely different and much better." She sighed. "All my generation could do, I guess, was tear apart. It's going to take our children to put the pieces back together. Babette was a very careful person. Very purposeful."

If it drove my freewheeling grandmother crazy, she doesn't let on.

"I could try to describe how much she loved you, baby. But I don't think I could begin to do her devotion to you justice. I was so proud of her, for how much she loved and gave away. She was amazing."

So in May I found out she existed, the same day I found out she is dead, or most likely dead. And now I'm going into Graceland alone, truly an orphan. Who wants to be an orphan?

We disembark from the bus—me, Elvis Lite, some folks from a Spanish-speaking country, and a lot of older people. I miss Grammie and Grampie right now. More later on them, too. And you'll get to meet them. Like the waters of the Gulf Stream, we seem to travel in the same general direction. I spent a week with them this summer in Tennessee. Yeah, we did Nashville right. They're loaded.

Standing beneath the front porch, my gaze skates up and down the soaring white pillars and comes to rest on the stone lions that guard the steps. My father was a lion. That's why he ended up with a bullet in his chest. Speaking in very broad terms, the story goes as follows:

Dad, undercover, worked his way into a portion of the mob, or mafia if you prefer, that was heavily financing the campaign of a Maryland gubernatorial candidate. When they discovered him, they shot him on site, in a warehouse in the Canton neighborhood of downtown Baltimore. My mother watched, gasped, and a chase ensued. She hid in a friend's gallery, called Charley and told her to keep watching me. (Charley had kept me the night before because my mom and dad had some glamorous function to attend.) And then she disappeared.

The Graceland tour recorder tells me to look to my right into the beautiful white living room with peacock stained-glass windows leading into the music room. This room really isn't so bad, I've got to admit. A picture of Elvis's dad hangs on the wall. He really loved his parents.

I've toured this house at least seven times before, and I'll tell you this, Elvis's love for his family soaked into the walls. A girl that lives in a camper, has dead parents, and is being chased by someone from the mob who knows my grandmother knows what went down, well, she can feel these things.

Charley thinks someone's trying to kill us. This guy is always trying to find us, but Charley's really great at evasion. She said the politician who won the governor's seat all those years ago just announced his candidacy for president and—oh, GREAT!—he's probably trying to make sure nothing comes back to haunt him and sent Biker Guy to finish off the entire matter.

The thing is, he seems to be after me too. And what in the world would I have to do with all of that?

I'll bet Charley's back in that camper shaking in her shoes because I'm over here by myself; I'll bet she's figuring out more ways to be utterly and overly protective of me. I wouldn't be surprised if she's wondering whether locking a kid in an RV is child abuse.

But I love Charley. I really do. I know she's scared back there, and despite the fact that I would be no real help if Biker Guy caught us, I can't leave her there so frightened and alone for long.

Elvis dear, I can only stay a little while. So love me tender, love me sweet, and for the sake of all that's decent, don't step on my blue suede shoes.

I hurry past the bedroom of Elvis's parents, decorated in shades of ivory and purple, very nice, and through the dining room—a little seventies tackiness I'll admit—into the kitchen with dark brown cabinetry and the ghosts of a million grilled peanut butter and banana sandwiches, then on down into the basement. Okay, I admit, I've got to just stand for a second in the TV room and admire the man's ability to watch three TVs at once on that huge yellow couch with the sparkly pillows.

I shoot through the billiard room, which is, honestly, truly beautiful with its fabric-lined walls and ceiling, up the back steps and into the Jungle Room, probably Graceland's most famous room. Green shag carpet overlays the floor and the ceiling, and heavily carved, Polynesian-style furniture is arranged around a rock-wall waterfall at the end of the room. It really defies the imagination, folks. Google Jungle Room Graceland and see what I mean.

The second floor of Graceland is closed off to the public because Elvis died up there. On the toilet. Wise decision on the part of Priscilla I'd say.

Out the door, into the office building, down to the trophy hall, I whiz through all the gold and platinum records, the costumes, the awards, and even a wall full of checks he'd written for charity. According to my recorder, Elvis was an active community member in Memphis. And he obviously didn't care what race or religion people were. He supported Jewish organizations, Catholic, Baptist. Pretty cool.

Of course, this recorder isn't going to tell of the dark side of the man. But Elvis Isn't, despite what the banners say. So why drag a dead man through the mud?

I hurry through the racquetball court, more gold records, the infamous jumpsuits, back outside to the pool and memorial garden where Elvis has been laid to rest.

An older lady cries into a handkerchief. I don't ask why.

Good-bye Elvis. Thanks for the tour. Maybe one day I'll do something great too.

A few minutes later . . .